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影迷,被众多学者认为是“最理想”的观者。在数字媒介传播环境下,伴随着电影与电影观众的变化,影迷愈发在电影消费、电影生产与电影批评等环节中展现出他们独特的文化实践活动:影迷观看方式转向“碎片化”与重复化,单纯的“仪式”观看转向电影文化生产、“百科全书式”的超链接批评文本。影迷批评话语,只能反映出“我”性,而不是力量更大的“我们”性,不可能颠覆现有电影批评场域的文化权力结构,至多证明现有批评场域是尊重各种话语差异的“平等”体系。
Fans, many scholars believe that “best ” viewers. In the context of digital media, with the change of film and movie audience, the fans are showing more and more unique cultural practices in such areas as film consumption, film production and film criticism: the fans watch the way to “fragmentation” With the repetitive, simple “rituals” watch the critically acclaimed shift towards film culture production, “encyclopedic” hyperlinks. It is impossible for fans to discredit the cultural power structure in the field of film criticism and at most to prove that the existing critical field is Respect for the “Equality” System of Differences in Various Discourses.