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《卓文君》排演至今已五个年头了。今年“五·二三”期间,文化部邀请晋京汇报演出,获得好评,受到表彰。回顾创作排导过程,是值得很好地总结的。这个戏是一九八三年为西安艺术学校进修学员结业时排导的。当时,陕西省委提出“振兴秦腔”的号召,我们选择《卓》剧,目的是在继承秦腔传统艺术的基础上,对秦腔进行综合治理。我们开始进行构思时,王保易同志就提出了三个结合:纵向继承与横向借鉴相结合;阳刚之美与阴柔之美相结合;古典美与现代美相结合。还规定了全剧的艺术风格应是诗情画意、清新典雅、载歌载舞,并对表演舞美、音乐等方面提出了全面的创作要求。
“Zhuo Wenjun” rehearsal has been five years now. This year’s “May 23” period, the Ministry of Culture invited Jin Jing report performance, received praise, be commended. It is worthy of a good review of the writing process. The show was conducted in 1983 when graduates of Xi’an Art School graduated. At that time, the Shaanxi provincial party committee put forward the call of “revitalizing the Shaanxi opera”. We chose “Zhuo” drama in order to carry out the comprehensive management of the Shaanxi opera based on the inheritance of the traditional arts of the Qin court. When we started our thinking, Comrade Wang Panyi put forward three combinations: the combination of vertical inheritance and horizontal reference; the combination of masculinity and feminine beauty; the combination of classical beauty and modern beauty. It also stipulates that the art style of the whole play should be poetic, fresh and elegant, singing and dancing, and put forward comprehensive creative requirements for performance of dance and beauty and music.