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2015年夏天的一天,林东鹏告诉家人,他打算离开沙田的家一个月时间,在香港当一次“家乡中的游客”。林东鹏带上旅行箱和一份珍藏的70年代老地图离家,再次走上了始于2013年的艺术项目“好奇匣”的创作之路。艺术创作的推动力在于冒险。然而,主流艺术机构却被人感到似乎越来越厌恶风险——机构提前数年规划展览项目,机构往往更倚重过往“业绩”良好的艺术家和作品,从而在短期内迅速提升展示空间的知名度,却一定程度地压抑了艺术冒险的概率。但真的存在这样的问
One day in the summer of 2015, Lin told his family that he planned to leave Sha Tin’s home for a month in Hong Kong as a “tourist in his hometown.” Lin Dong-sheng took a suitcase and a collection of 70’s old maps away from home, once again embarked on the art project in 2013, “curiosity box” creative path. The driving force behind artistic creation is adventure. However, mainstream art organizations are perceived as more and more risk averse - agencies planning exhibitions a few years ahead of schedule and institutions tend to rely more on well-established artists and works of the past to quickly improve their display space in the short term Popularity, to a certain extent, suppressed the probability of artistic adventure. But there really is such a question