版画持续的步入冷门,随着传媒日益的发达,已然成为不可动摇的事实。即便是国内的版画艺术家们早已无奈的接受了这种低落的状态,但版画依然日渐转向鲜为人知,昔日的辉煌已然不在。仔细想想,还是跟版画艺术家的身份意识的转换有关,这就牵涉到了本文所论析的主题,中国当今的版画艺术圈的首要价值切入点,正是版画艺术家身份意识的明确以及构建。 Prints continue to be popular, with the increasingly developed media, has become an unshakable fact. Even the domestic print artists have long been helpless to accept this low state, but the prints are still turning to little-known, the glory of the past no longer. If we think about it carefully, it is related to the conversion of identity consciousness of print artists. This involves the topics discussed in this article. The primary value entry point of China’s current print art circle is precisely the identity and construction of print artists’ identity.