进入20世纪,戏剧快速发展起来,“仪式感”随之成为了流行。戏剧创作者不再拘泥于固定的戏剧创作思维模式,而是在戏剧创作中更为自由,使得戏剧内容更为丰富,且富于创造力。西方现代戏剧在创作中更多地渗入了仪式感,引发了戏剧批评。本论文针对西方现代戏剧与戏剧批评蕴含的仪式感进行分析。 Into the 20th century, the rapid development of drama, “ritual sense ” has become popular. Instead of sticking to a fixed pattern of dramatic creative thinking, theater creators are more liberal in drama creation, making theatrical content richer and more creative. Western modern drama infiltrates the sense of rituals more and more in drama, triggering dramatic criticism. This thesis analyzes the sense of ritual contained in modern western drama and dramatic criticism.