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本文通过对“动与静”的阐述,结合《溪山琴况》中的一些美学思想,说明“动中有静,静中显动”对于钢琴演奏者创造演奏境界的重要性。以期能对钢琴演奏之境界有一个更为系统、深入的研究,从而在实际的钢琴演奏中对境界有一个更为准确的诠释。
This essay illustrates the importance of “dynamic and static movements” in creating a realm of performance for the pianist through the exposition of “motion and static” combined with some aesthetic ideas in " . In order to have a more systematic and in-depth study of the realm of piano performance, so as to have a more accurate interpretation of the realm in the actual piano performance.