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到目前为止荷兰美术一直是以它的描绘性来吸引观众。不管怎样,20世纪前的批评家都将17世纪荷兰美术看作是对荷兰和荷兰人生活的描绘。轻视荷兰绘画的乔舒亚·雷诺兹和热衷荷兰绘画的欧仁·弗罗芒坦一致认为荷兰人描绘了他们自己及其祖国的肖像——牛群、风景、云朵、城镇、教堂、富裕和贫穷的家庭以及他们的食物和饮料。人们能对这种描绘性艺术说些什么,怎样来表达其本质被认为是一个迫切的问题。雷诺兹在他1781年所写的《佛兰德斯和荷兰之行》一书中只能开一个单子列出这些荷兰艺术家和作品主题并作些注释。
Dutch art has so far attracted its audience with its portrayal. In any case, critics of the 20th century saw Dutch art in the 17th century as a portrayal of the lives of the Dutch and the Dutch. Joshua Reynolds, despising Dutch painting, and Eugen Floresun, a Dutch painting, agree that Dutch people portray portraits of themselves and their homeland - herds, landscapes, clouds, towns, churches, affluence and Poor families and their food and drink. It is considered an urgent problem for people to say something about this delineated art and how to express its essence. Reynolds in his 1781 book “Flanders and the Netherlands,” a book can only open a list of these Dutch artists and works of the theme and make comments.