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总政歌剧团创演的现代民族歌剧《野火春风斗古城》在京上演后,引起了广泛关注和热烈反响,认为它是近年来不可多得的优秀歌剧作品。其中歌词的创作是由我军著名词作家、北京军区战友文工团艺术指导王晓岭完成的。笔者:许多歌剧的编剧和词作者往往是同一个人,而歌剧《野火春风斗古城》则是由您自己完成所有歌词的创作。您是如何处理歌词与剧情、与音乐这些错综复杂而又关联紧密的关系的呢?王晓岭:歌剧是一个合作的产物。它的舞台演出样式包含着复杂的合成关系,编剧、作词、作曲、导演、舞美设计等创作行为是同时进行的,这是歌剧的创作规律。我非常赞赏我们剧组的亲密合作,编剧孟冰对故事结构和场次设计做了精到的安排,从技术上很好地解决了说和唱的
The performance of the modern national opera “Wild Fire Spring City” by the General Political Department Opera Troupe has aroused widespread concern and enthusiastic response after it was staged in Beijing. It is regarded as an outstanding opera work rare in recent years. Among them, the creation of the lyrics is accomplished by Wang Xiaoling, an art writer of the army famous writer and comrade-in-arms of the Beijing Military Region. Author: Many opera writers and songwriters are often the same person, and the opera “Wild Fire Spring City” is completed by your own creation of all lyrics. How do you deal with the intricate but closely related relationship between lyrics and drama, and music? Wang Xiaoling: Opera is a product of cooperation. Its stage performance style contains complicated synthesis relations. The writing works such as screenwriter, lyricist, composer, director and design of dance and beauty are all performed simultaneously. This is the law of creation of opera. I very much appreciate the intimate cooperation of our crew, screenwriter Meng Bing on the structure of the story and the design made a fine arrangement, technically a good solution to say and sing