一穆旦诗歌的反现代性首先体现于他独特的自我意识、主体意识。从某种程度上看,穆旦诗歌几乎尽可能地抛弃了中国古典诗歌所追求的意象美、意境美和典雅美,像徐志摩的《再别康桥》、戴望舒的《雨巷》、何其芳的《预言》等诗歌还基本上是中国古典诗歌美学的现代孑遗,但是在穆旦诗歌中我们几乎找不到类似的美学追求。穆旦诗歌最关注的是现代人的内心复杂性、现代生活的内部隐秘。穆旦16岁时就在诗歌《神秘》中写 The anti-modernity of Mu Dan’s poetry is firstly reflected in his unique self-consciousness and subjective consciousness. To a certain extent, Mu Dan’s poetry abandoned the imagery beauty, artistic conception and elegant beauty pursued by Chinese classical poetry to the extent possible. For example, Xu Kangmo’s Farewell to Cambridge, Dai Wangshu’s Rain Lane, The “prophecy” and other poems are basically the modern relics of Chinese classical poetry aesthetics, but we can hardly find a similar aesthetic pursuit in Mu Dan’s poetry. Mu Dan’s poetry is most concerned about the inner complexity of modern people, the hidden secrets of modern life. Mu Dan wrote poetry “Mystery” when he was 16 years old