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近20年来,全国戏剧界的同仁几乎把福建的历史剧创作当做井冈山一样的“圣地”来看待!以至许久以来,福建历史剧的每一部成功之作都在戏剧领地激荡起层层涟漪。但令人遗憾地是,曾在20世纪数度引领中国戏剧,特别是新编历史剧辉煌的福建戏剧艺术在走进新世纪后竟然一蹶不振;起码是而临着从戏剧作品到剧作家队伍,以及创作理念的全而式微。最有说服力的事实是近年的戏剧创
For nearly 20 years, my colleagues in the national drama world have treated the creation of historical drama in Fujian almost as a “sacred place” of Jinggangshan. For a long time, every success of the Fujian historical drama has stirred up ripples in the theater. Regrettably, however, Fujian drama art, which once led the Chinese drama on several occasions in the 20th century, and especially the new historical drama, has been sluggish after entering the new century; at least, it has been going from drama to the dramatists and All-inclusive micro-creation concept. The most convincing fact is the drama of recent years