随着现代、后现代主义思潮的冲击,以及装置、行为、观念、多媒体等前卫艺术品种的出现,架上绘画似乎已经走向边缘了,针对这一现状,本文从美术史、个体生命特征、民族文化特质、各国文化史等角度分析了油画在新时期的文化定位,及其不会消亡的原因。 With the impact of the modern and postmodernist ideological trends and the advent of avant-garde varieties such as installations, behaviors, concepts and multimedia, the on-the-shelf painting seems to have come to the brink. In view of this situation, from the perspectives of art history, individual life characteristics, Cultural traits, cultural history of all countries from the perspective of oil painting in the new era of cultural orientation, and its causes will not die out.