中国书法根植于中国社会文化的土壤中,得以生根结果,由于中国社会发展的特点,使书法艺术与其它的传统艺术一样,不但没有因为时代发展受到冲击,而且得到了精雕细刻的发展。书法艺术是把“运动”储存起来的一种方式,当别人欣赏书法艺术时,这种运动就放释出来,传达给欣赏者,激起欣赏者的运动知觉,有迟缓的,凝重的,飞动的。书法艺术也可以看成是“轨迹”本身的图形,而不是“轨迹”“画”出来的图形。“图形”是空间的,“轨迹”是时间的,“轨迹”本身的“图形”则是“时间”中的空间,是“空间感”融于“时间感”之中,体现出“时间”和“空间”的辩证统一关系。这些复杂元素必须在教学中加以注意和推敲。 Chinese calligraphy is rooted in the soil of Chinese social culture and can take root. Due to the characteristics of Chinese social development, calligraphy, like other traditional arts, has not been hit by the development of the times but has also been carved out by itself. Calligraphy is a way of storing “movement”. When others appreciate the art of calligraphy, the movement is released and communicated to the audience, stimulating the movement’s perception of the audience. The slow, dignified Flying. Calligraphy can also be regarded as a graphic of “track ” itself rather than a graphic of “track ” “painting ”. “Graphics ” is space, “Tracks ” is time, “Tracks ” itself “Graphics ” is the space in “Time ”Sense of time “, reflecting the dialectical unity between ”time “ and ”space ". These complex elements must be noted and considered in teaching.