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在古代楚辞学阐释中,存在着文化还原和文化误释的二元性倾向。本文从文化地域分类的角度,将黄河流域的中原文化和长江流域的楚国文化划归不同的文化范型,从而指出以中原文化的价值判断阐释楚文化,必然产生上述二元性倾向,它表现为意象与运作、行为与结果、还原与掩匿等一系列自相冲突的矛盾现象。文章进而指出,运动二元性倾向是造成楚辞文化在某种程度上无法破译、楚辞艺术在某种程度上无法确解的真正原因。由此文章提出正确的思维路向;阐释者放弃与阐释对象相异的文化立场,返回到诞生楚辞诗风的楚地域文化的视角,并根据史料提供的线索逐一揭示阐释对象的本来面目。
In ancient interpretation of the theory of Chu, there is a duality tendency of cultural reduction and cultural misinterpretation. This paper, from the perspective of cultural regional classification, classifies the Central Plains culture in the Yellow River Basin and the Chu State culture in the Yangtze River Valley into different cultural paradigms. Thus, it is pointed out that the interpretation of Chu culture by the value of the Central Plains culture inevitably leads to the above duality tendency. It manifests itself in a series of self-contradictory contradictions such as image and operation, behavior and result, restoration and concealment. The article further points out that the tendency of sports duality is the real reason that the Song culture can not be deciphered to some extent and the Song dynasty art can not be understood to a certain extent. Therefore, the author proposes the correct way of thinking. The interpreter abandons the cultural standpoint that is different from the target of interpretation and returns to the perspective of the Chu regional culture which was born in the style of Chu Ci. According to the clues provided by the historical data, the interpreter clarifies the original appearance of the object.