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在一次全国性小品石会展的论坛上,笔者曾谈及小品石组合有向着复式组合和抽象组合拓展的趋向。张宁的这局创作正是对小品石组合抽象审美的有益探索。邕江悠多情,那变幻质色的小品石,或润或燥,或明或暗,总能给人惊喜;邕江又多智,那形状规则的小品石,有圆有方,有长有短,似乎刻意皆人为。你看这两枚邕江小品石,沧桑一气,棕褐相谐。那圆形的充盈饱满,简直就是一个精致的小坛,下凹的坛口,凸现的口沿,同心的弧线,抒发着化泥为陶时的缕缕柔情;那三角形的居然三边相等,好似常见的警示牌形象。其边缘的棱线又构成了一个较小的三角形,同心的期许,带来一丝妩媚。
In a forum of the national small stone exhibition, the author once talked about the tendency of the combination of small stone and the abstract combination of compound combination. Zhang Ning’s creation of this board is a useful exploration of the abstract aesthetic of the small stone combination.邕 Jiang You passionate, that change the color of the artifacts of stone, or run or dry, or bright or dark, always give a pleasant surprise; Qijiang and more wisdom, that the rules of the shape of stone, round and square, there are long Short, seems deliberately artificial. You see these two Huangjiang Pieces stone, the vicissitudes of life, brown and harmonious. It filled with full circle, is simply an exquisite little altar, concave altar mouth, highlights the mouth along the arc of concentric, express the clay when the Taoist tenderness; that triangle actually three equal, Like a common warning sign image. The edge of the ridge and form a smaller triangle, concentric expectations, bring a trace of charming.