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歌剧作为舞台音乐的特殊性之一在于,其表演需要一个“舞台制作”环节。21世纪以来,歌剧的制作无论在手段还是观念上较之以往都发生了巨大的变化,许多导演不再束囿于“忠于原作”的信条,开始在“视域融合”这一潜在理念的支持下广泛试验全新的、个性化的甚至颠覆性的诠释方案,歌剧制作俨然已成为歌剧表演的重大“看点”。本文梳理了对经典歌剧采用“现代制作”的四种代表性方式(抽象化、现代化、本土化、简约化),并以若干实例举证并剖析了“现代制作”背后的人格声音与心理诉求。
One of the peculiarities of opera as a stage music is that its performance requires a “stage production” link. Since the 21st century, the production of opera has undergone tremendous changes both in terms of means and concepts. Many directors are no longer confined to the creed of “loyalty to the original work” With the support of potential concepts, we have experimentally experimented with new, personalized and even subversive interpretations. Opera production has become a major “look and feel” of opera performances. This paper sorts out four representative ways (abstract, modern, localized and simplified) that classical operas use “modern production”, and uses several examples to prove and analyze the personal voice behind “modern production” And psychological appeal.