美学大师朱光潜以“无所为而为”、“审美是形象的直觉”、“美是主客观的统一”等开拓性理论奠定了中国现代美学研究;济慈常被称为英国浪漫主义的唯美诗人,然而其艺术个性更在于以“诗人无个性”、“消极感受力”等观点为浪漫主义“正音”。本文以朱光潜美学理论去观照济慈“消极感受力”的诗歌创作原则,指出“自我消融后的直觉美感”、“浪漫意境中的自我重构”以及“宽广的人文社会关怀”三个方面构成了这一原则的内外风貌。 Aesthetic Master Zhu Guangqian laid the foundation for China’s modern aesthetics study with such pioneering theories as “doing nothing”, “aesthetic intuition” and “beauty is the unity of subjective and objective”. Keats is often called Is an aesthetic poet of English romanticism. However, his artistic personality lies more in the romanticism of “poet” and “negative feeling”. This paper uses Zhu Guangqian’s aesthetics theory to observe the principle of poetry writing by Keats and “negative sensibility”, pointing out that “the intuition beauty after self-ablation”, “self-reconstruction in romantic mood” and “ Social care ”three aspects constitute the internal and external style of this principle.