19世纪末20世纪初的美国绘画会如何经由传统转向现代,温斯洛·霍默的作品可说是很好的例证。他对于日常景致中人和事的片断撷取,显露出他个人的真情实感,也表达出他对现实生活的真知灼见,当然也投射出他在画面经营上对于现代绘画语言本体的探究和实践意识。从狙击手形象,到写生的艺术家,再到拍岸的海浪,艺术家对于战争、艺术和自然的关注是第一层面的,而在这之中,艺术家所试图去言说的关乎现实的思考、讽谏和体悟,却构筑出刻意凸显的场景和情境中的诗学意味。 How the American paintings from the late 19th and early 20th centuries turned to the modern through tradition was a good example of Winslow’s work. His capture of the fragments of people and events in his daily life revealed his own personal feelings and feelings, expressed his insights on real life and of course his exploration and practical awareness of the modern graphic language ontology . From the sniper image to the sketching artist to the surf on the shore, the artists’ attention to the war, art and nature is the first level, and in the meanwhile, the artist’s attempt to talk about the actual thinking and remonstrance And comprehension, but to build a deliberately highlight the scene and context of poetic meaning.