园林与文学、绘画之间,有着千丝万缕的联系。简言之,可谓“相涉”与“相资”。相涉,是指文学、绘画常常把园林景物写入作品,作为刻划人物,发展情节的环境依托。如红楼梦“大观园”;牡丹亭“后花园”,都是作家演说故事的重要场景。其它如游园而咏诗,造园而作记,也无不构成文学作品的重要内容。其影响所至,比如明末散文小品,便常常带有浓重的园林韵味。而所谓园记,亦绝非止于记园,同样是文 There are inextricable connections between gardens and literature and painting. In short, it can be described as “involvement” and “cash.” Interference refers to the fact that literature and painting often include landscape objects in the works as environmental references for depicting characters and developing plots. For example, the “Grand View Garden” of the Red Mansions and the “Back Garden” of the Peony Pavilion are all important scenes for writers to tell stories. Others, such as gardening and poetry writing and gardening, are all important components of literary works. The impact of this, such as the late Ming Dynasty prose, it often has a strong garden charm. And the so-called garden records must not stop at the park. It is also an article.