本刊编辑部最近收到一些来稿,对戏曲的表演艺术如何贯彻百花齐放、推陈出新的方针提出了不少意见,特别是对于某些演员为了追求廉价的剧场效果,运用不符合人物性格和剧情需要的表演和特技,提出了批评。我们选摘了两篇来稿中的意见,供做参考。黄文锡在来稿《一个矛盾》中说:“有次去看戏曲现代戏《向秀丽》的演出:演员在表演向秀丽被火焚烧时,大耍‘乌龙绞柱’,博得了观众的热烈掌声。又有一次去看古典戏《一箭仇》的演出:史文恭妄图复灭梁山,连夜思计,耍髯、舞蹈、亮相,大有‘来如雷霆收震 Our editorial department recently received a number of contributions to the performance of the opera how to implement the flourishing, innovation policy made a lot of opinions, especially for some actors in pursuit of cheap theatrical effects, the use of character and the plot does not meet the needs of Performing and stunts, put forward criticism. We selected the comments in the two contributions for reference. In his contribution, “A Paradox,” Huang Wenxi said: “There are times to see the performance of the modern drama” Xiang Xiuli “in the opera. When the performers were exposed to the flames of beauty in the show, they were playing” Oolong Twisted Columns “and won warm applause from the audience. Once again to see the classical drama ”revenge" of the show: the history of Christine conclusive plans to eliminate Liangshan, thinking all night, play 髯, dance, appearance, a lot of ’