《溪山琴况》为明末吴派民间琴师徐上瀛所著,是一部全面、系统地论述古琴演奏技术、技巧及琴乐表演理论的重要美学专著,具有重要的美学价值。从历史文献的角度看,《溪山琴况》与《乐记》、《声无哀乐论》堪称中国音乐美学思想史上三部最为重要、最具代表性的论著。 The “Xishanqinqiang” is written by Xu Shangying, a non-governmental folklorist in the late Ming dynasty. It is an important aesthetic monograph that comprehensively and systematically expounds the technique, technique and performance theory of guqin. It has important aesthetic value. From the perspective of historical documents, the most important and representative works in the history of Chinese musical aesthetics thought are the “Music Scenery” and “Music Record”.