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影片《霸王别姬》历史背景恢宏,京剧贯穿始终,不仅讲述了两个京剧艺人的命运沉浮,还将个人命运与时代变化联系起来,从而表达了传统京剧艺术、京剧艺人的生存状态。不同历史背景下,京剧的艺术性与政治有着不同的关系。先是其艺术性较突出,后艺术性弱化,政治性得以强化;而如今,京剧却只成为小众的艺术样式。从而得出三点反思:艺术的发展需要经济的繁荣以及政治的稳定;艺术应植根于大众,生命力才能持久;艺术的长远发展,依赖于自身的与时俱进、不断创新。
The film “Farewell My Concubine” has a magnificent historical background. Peking opera runs through from beginning to end. It not only tells the ups and downs of the fate of the two Peking Opera artists, but also links the fate of the individual with the changes of the times. It expresses the living conditions of the Peking Opera artists. Under different historical background, the artistry and politics of Peking Opera have different relations. First of all, its artistry is more prominent, post-artistic weaker and political are strengthened. Nowadays, Peking Opera has only become a niche art style. This leads to three reflections: the development of art requires economic prosperity and political stability; art should be rooted in the public and its vitality can be sustained; the long-term development of art depends on its own progress with the times and innovation.