与古典、浪漫乐派作品相比,聆听一下印象派的作品,甚觉大异其趣,颇饶兴味。以印象派鼻祖载入史册的作曲家克洛德·德彪西(1862—1918),早在学生时期,就反对抱残守缺,穹探邃索新的表现手法。后来,他的作品终于摒弃了传统的曲式、主题发展、功能体系的和声思维,自辟蹊径于调式、旋律、节奏、力度、速度、和声织体上。对他来讲,和声语言的气氛,作为色彩的工 Compared with the classical and romantic school works, it is quite interesting to listen to the Impressionist works. Claude Debussy (1862-1918), a composer of the originators of the Impressionists, opposed the idea of ​​abandoning the status quo as early as during his student life and explored new forms of expression. Later, his works finally abandoned traditional forms of music, theme development, and functional systems of harmony thinking. They developed their own style in style, melody, rhythm, intensity, speed and harmony. To him, the language of harmony, as a color worker