一个时期文学、艺术繁荣昌盛的最重要的标志之一,即是批评话语权所占据的主流位置。中国20世纪最后10余年,文学艺术界中文学、美术两个阵营中的批评风头正健,由此拉动了文学、美术创作的大繁荣。中国书法界的批评这些年也一直在向前推进,其中尤以进入本世纪以来书法批评更具有学术性、艺术化与批评的独立意识和自主状态。本刊“点击·2003”栏目及“现代书家批评”即是图觊为张扬批评的独立意识和主体精神搭建一个广阔、立体、多元的话语平台。关于对被点击书家、篆刻家的创作观念,技术品位,风格审美诸方面的品评都可在此平台发布。本期“点击·2003”栏目推出了《周俊杰:涌动着的潮》,《创作与理论的先锋——三解周俊杰书法艺术》,《徐正廉篆刻艺术发微》,《风标巧丽的徐正廉》4篇文章,读者自可以其品评文本中对周俊杰、徐正廉艺术创作的是非、优劣得失进行自主评判,若有相同或相悖之观点,亦可成300字内的短文,寄本栏目,本刊将酌情选发。本期“点击·2003”精彩回应所编发的何新良、王凯、林玉成等6位作者的短稿,即是编者·读者·刊物之间的互动交流。谢谢这几位朋友对本刊本栏目的支持。大河诸子 One of the most important signs of prosperity in literature and art in a period of time is the dominant position occupied by critical discourse power. In the last 10 years of the 20th century in China, the criticisms in the literature and art circles in the literary and artistic circles were vigorous, which led to the great prosperity of literature and art creation. Criticism in the Chinese calligraphic circles has also been advancing in recent years. Among them, the calligraphic criticism has become more academic, artistic and critical since the beginning of this century. The “click·2003” column and “criticism of modern bookers” in this publication are the vast, three-dimensional and multi-discussion platforms for Tuo’s independent consciousness and subject spirit criticized by Zhang Yang. The comments on the creative concepts, technical tastes, and aesthetic styles of the clicked bookmakers and sealers can all be published on this platform. In this issue of “Click 2003”, “Zhou Junjie: The Flowing Wave” was launched, “The Pioneer of Creation and Theory - Sanjie Zhou Junjie’s Calligraphy Art”, “Xu Zhenglian’s Engraving of the Art of Hair”, “Wind Marking Qi Li’s Xu Zhenglian” In the 4 articles, the readers can independently judge the right and wrong of the artistic creations of Zhou Junjie and Xu Zhenglian in their review texts. If they have the same or opposing viewpoints, they can also write short articles within 300 words and send them to this section. The journal will be selected as appropriate. The short manuscripts of six authors, such as He Xinliang, Wang Kai, and Lin Yucheng, were compiled by the “Click 2003” wonderful response. This is the interaction between editors, readers, and publications. Thanks to these friends for their support of this column. Dakokoko