鲁迅一生致力于改造国民性的工作,他失望于中华民族物质力量的贫弱,更痛心于国民性格的愚弱、柔顺。这就使鲁迅把对美与艺术的思考,建立在对“力”的呼唤上,进而形成了他以“力”为核心的审美倾向 For a lifetime, Lu Xun devoted himself to the work of reforming the national character. He was disappointed with the weakness and weakness of the material and material resources of the Chinese nation. He even more displeased with the weakness and suppleness of the national character. This made Lu Xun establish his thinking on beauty and art based on the call for “power”, thus forming his aesthetic tendency with “power” as the core