7月20日,“尹秀珍:无处着陆”个展在佩斯北京展出,这是继2010年个展“第二张皮”之后在佩斯北京的又一大型展览。对旧物的拼贴、重组是艺术家惯用的手法传达了对于现代社会全球化与同化问题的探索,她利用回收的材料形成一种雕塑性的记忆文献,在高度城市化、现代化及全球经济增长的激素变化中,试图将那些通常会被忽略的事物个性化,以暗示生命的个性体。 July 20, “Yin Xiuzhen: Nowhere to Landing” solo exhibition in Pegasus Beijing, this is the second solo exhibition in 2010 after the “second skin” Peisi Beijing another large exhibition. The collage and reorganization of old objects is an artist’s usual method of communicating the exploration of the globalization and assimilation of modern society. She uses the recovered materials to form a sculptural memory document. In a highly urbanized, modern and global economic growth In hormonal changes, attempts are made to personalize those things that are usually overlooked in order to suggest individuals of life.