在合制电影成为经济全球化一环的今天,异质性文化元素的共处与互动逐渐成为影像再现的重大课题。比较早期直至上世纪80年代的合制电影致力于掩饰甚至抹消异质性的存在;90年代后的合制电影中对于异质性的处理虽仍比较暧昧,却出现了两种主要现象:对于区域性特色的有效利用与在试验中出现新的感知配置效果。其中,语音和容貌是最显著的异质性文化元素之一,它使影像的感知方式产生了变化。 Nowadays, when co-production of movies becomes a part of economic globalization, the coexistence and interaction of heterogeneous cultural elements have gradually become a major issue in image reproduction. The earlier co-productions in the 1980s were devoted to disguising or even eliminating the existence of heterogeneity. Although the handling of heterogeneity in co-productions after the 1990s was still ambiguous, two main phenomena emerged: The effective use of regional characteristics and the emergence of a new perceived configuration effect in the experiment. Among them, the voice and the appearance are the most significant heterogeneous cultural elements, which make the perception of the image have changed.