笔者认为:韵,可以理解为通常说的气韵,是中国传统美学与艺术理论在意境创造和艺术鉴赏方面的核心问题。气是韵的生命与本体,韵由气出,有气才有韵,没有气便没有了韵。本文通过对闵惠芬二胡演奏中弓法与指法的研究,就怎样更好地表现乐曲的气度与韵味做了几点分析。 The author believes that rhyme, which can be understood as the usual rhyme, is the core issue of traditional Chinese aesthetics and art theory in artistic creation and artistic appreciation. Qi is the rhyme life and body, rhyme from the gas, there is gas only rhyme, no gas is no rhyme. In this paper, through the study of bowing and fingering in Min Huifen’s erhu performance, this article makes some analysis on how to better express the grace and charm of music.