平生碌碌,乏善可陈。‘文革’前主要从事文艺评论,‘文革’后主要从事唐诗研究。虽有著述十余种问世,然惬怀实少,遗憾良多。离休后,积习难改,欲罢不能,又编著《书法奇观》、《四山摩崖选集》二种,贻笑方家,更增愧悔。可谓文学膏肓,雕虫痼疾,不可救药之人也。窃有不能已于言者,如梗在喉。试略陈其愚,唯诸君子察焉。余以衰病残年,离而不休,忽然编著书学二种,并非毫无自知之明,妄欲滥竿书界,斗胆弄斧于班门,实因以下三种情结作崇,意欲有以解之。 Life is mediocre, lackluster. Before the Cultural Revolution, he was mainly engaged in literary criticism. After the Cultural Revolution, he mainly engaged in the study of Tang poetry. Although there are more than a dozen kinds of writings come out, but I feel less, regret a lot. After retiring, the plot hard to change, unable to stop, and edited “calligraphy spectacle”, “Four Mountain Cliff Collection” two kinds, I laugh Fang, more regret. Can be described as literary gossip, scabies disease, incurable people too. Theft can not have been in the speaker, such as stems in the throat. Try a little Chen Qi Yu, only the gentleman Zha Yan. In addition to the old age, leaving endlessly, suddenly compose two kinds of calligraphy, is not without knowing, delirious abuse of the book community, bold struggle in the door, the reason for the following three kinds of complex for worship, intended to have solution It