中国水墨人物画从五代的石恪、宋代的梁楷、明代吴伟到清代的闵贞、黄慎、任伯年,历经近千年的发展,到20世纪30年代徐悲鸿引进西方绘画,加上蒋兆和的艺术实践,已与古代的水墨人物画有很大的区别。在当代,水墨人物画又经过了几代人的学理探索和创作积累,已初具新形态,在当代水墨人物画创作中,由于少受传统的直接束缚,不为传统的笔墨程 Chinese ink and wash figures from the five generations of Shi Ke, Liang Kai of the Song Dynasty, Wuwei of the Ming Dynasty to Min Zhen, Huang Shen, Ren Born in the Qing Dynasty, after nearly a thousand years of development, to the 1930s Xu Beihong introduction of western painting, plus Jiang Zhaoguo’s artistic practice has been greatly different from the ancient ink and wash figures. In the contemporary era, ink figure painting has undergone several generations of theoretical exploration and creative accumulation and has taken on a new form. In the contemporary ink figure painting creation, it is not the traditional pen and ink