20世纪90年代以来,中国当代社会与艺术现实的独特性是不少艺术家、策展人关注的焦点问题。但是,也有不少批评家指出这种创作和展览方式过于简单以及与现实主义传统的藕断丝连。近两年,北京公社的几个展览似乎力图推动一种新美学形式的发展,也从侧面印证了批评家们对中国当代艺术未来的期待。刚开幕的萧昱个展“回头”也正是这 Since the 90s of the 20th century, the uniqueness of contemporary Chinese society and the reality of art has been the focus of attention of many artists and curators. However, many critics also point out that this mode of creation and exhibition is too simple and is linked to the realist tradition. In the past two years, a few exhibitions in the Beijing Commune seem to be trying to promote the development of a new aesthetic form, confirming critics’ expectations of the future of contemporary Chinese art from the side. Xiao Yu’s opening solo exhibition “back ” is exactly this