纵观三十年来美术理论的研究,时常有全国性的“美术理论研讨会”的消息,且无论是关于古代美术作品、理论的整理和译介,还是关于现当代艺术作品及其理论的阐述,成果都是比较丰富的。而在当今社会占有重要地位的艺术设计,其理论研究则远远没有达到这一高度。虽然从数量上来说,诸如“设计概论”、“中国设计史”之类的著述、教材可谓汗牛充栋,但其中并无特色显著者,甚至洋洋一部《中国设计史》仅仅只是《中国美术史》工艺美术部分章节的扩充或者《中国工艺美术史》的翻 Throughout the thirty years of art theory research, often have a national “art theory seminar ” news, and whether it is about the ancient art works, the theory of finishing and translation, or about modern and contemporary works of art and its theory The exposition, the results are more abundant. However, in the contemporary society, art design occupies an important position, its theoretical research is far from reaching this level. Although quantitatively speaking, books like “Introduction to Design Theory”, “History of Chinese Design” can be described as well-known, but there is no significant person in them. Even the “History of Chinese Design” is merely a “ Chinese art history ”section of arts and crafts expansion or“ Chinese art history ”turn