《黄河大侠》公演有日,似少有文字见世,也许『劣片不予置评』吧,但它既来到人世,还是应直言不讳,评头论足,于世或许有益。故此寻疵。中国武打片自《少林寺》始,经过近十年的发展,到今天的《黄河大侠》,除主题内容和格斗方式的变化外,未有长足进步,并形成了武打片的模式化,如『英雄(大侠)十恶棍(军阀)十美人』之类,而且还在这形体脆弱的骨架上超负荷地背负重大主题,诸如爱国主义、杀富济贫、除霸安良等等,有时还撒点喜剧酵母粉,所谓『寓教于乐』,结果成了既不是正剧,又不是悲剧,也不是喜剧的四不象怪物。观众观影时,似乎所有感官都受到刺激,受到感染,事实上却是什么印痕也没留下。武打片的卖座,从心里分析角度看,实际上是众多国人懦怯性格的补偿心理在作 “The Yellow River Heroes” has a live performance. It seems that there are very few written words to appear in the world. Maybe it is “no comment on bad films.” But it has come to life, or should it be outspoken. So it’s flawed Since the beginning of “Shaolin Temple”, China’s martial arts film has not made great strides until the development of the “Yellow River heroes” of the Yellow River in addition to the changes in thematic content and fighting styles. It has also formed a pattern of martial arts films such as “Heroes (heroes) ten villains (warlords) ten beautiful people” and the like, but also overloaded with such major themes as patriotism, poverty alleviation and poverty alleviation, Some comic yeast powder, the so-called “edutainment”, the result has become neither a positive drama nor a tragedy, nor a comedy of the four non-monsters. When watching the audience, it seems that all the senses are stimulated, infected, in fact, what imprinted did not leave. Martial arts movie blockbuster, from the heart of the analysis point of view, in fact, many people are cowardly personality compensation mentality