我曾受聘于日本外务省所辖的日本国际交流基金,于2013年11月末曾邀想田和弘(SODA KAZUHIRO)携作品到访北京尤伦斯当代艺术中心艺术影院。短暂交往之中感受到,想田和弘身上也具有我所认知的日本纪录片导演的那种发自内心的谦和。作为近年来最受国际关注的日本籍纪录电影导演,旅居纽约十年的想田和弘以“没有台本的拍摄”为理念,提出“观察电影”这一纪录电影创作概念,并将冷静的目光投向遥远的母国,通过对拍摄对象“无技巧”的表呈,以国际化的 I was hired by Japan’s Ministry of Foreign Affairs under the Japan Foundation for International Exchanges and had invited SODA KAZUHIRO to visit Beijing Ullens Center for Contemporary Art’s Art Cinema in late November 2013. Feel the short exchanges, like Tian Hehong body also has the kind of heartfelt modesty I know Japanese documentary film director. As the most internationally-watched Japanese documentary film director in recent years, Tada and Wakahiro, who lived in New York City for ten years, put forward the notion of “watching movies” as a film-making concept and “ Calm eyes toward the remote home country, through to the subject ”no skills " table was presented to the international