当今的京剧舞台上,但凡铜锤花脸大都宗法裘盛戎先生,正所谓“十净九裘”。由此我们可以看到裘先生的艺术影响之大、传播之广。但另一方面,由此又产生了一个严峻的问题,那就是京剧舞台上的流派单一与剧目单一问题。按翁偶虹先生的划分,唱工花脸闻于世者为“四山”(何桂山、穆凤 Today’s Beijing Opera stage, but most of the copper hammer painted face most of Mr. Qiu Shengrong, is the so-called “ten net nine Qiu.” From this we can see Mr. Qiu’s artistic influence, spread widely. However, on the other hand, this creates another serious problem, that is, the single genre and single issue of the genre on the stage of the Beijing Opera. According to the division of Mr. Weng Ouhong, singing sighs the world as “Four Mountains” (He Guishan, Mu Feng