中国戏曲要重新起飞，一要靠文学的支援，靠文学人文精神的含量；二要靠本体，演员身上的表演本体特色；三要靠每次的演出分析，舞台的新颖、个性化追求。 龚和德在“当代戏曲表演艺术家系列研究工程”——倪慧英表演艺术研讨会上肯定倪慧英作为演员的使命感责任感时， Chinese drama to take off again, one must rely on literary support, rely on the content of literary and humanistic spirit; two rely on the body, the actor body performance characteristics; three rely on each performance analysis, the stage novel, personalized pursuit. Gong and Germany in the “Contemporary Chinese Opera Performing Artists Series Research Project” - Ni Huiying Performing Arts Symposium Ni Huiying affirmed his sense of mission as an actor,