“现代绘画与表现”,课程名称还是比较有趣的。虽然在国内各美术院校的绘画专业都有类似的教学设置,但相当于这种学科形式的教学方式仍然处在不断地实验和开拓之中。在世界艺术教育的发展格局中,技术中心主义的绘画教育已经不再是当代艺术教学中的关键问题,强调发现智慧和观念表达,以及对表现手段和新的艺术形式的探索是当代艺术教育正在引导学院艺术教育的重大变革。当然,从我们的课程形式不难看出,对色彩的训练、对形式与结构的训练、对材料与表达的训练、对设计思维能力的训练,似乎并不少见。对此课程的设置和教学实施,着实让人生疑。从艺术教学整个过程来看,学生刚刚脱离一年级的基础学习,进入专业课程的学习之中,但对综合材料的训练和主题创作的实施并没有太多的真切感受。课程在教 “Modern Painting and Performance”, the course name is still more interesting. Although there are similar teaching setups in the field of art in domestic art schools, the teaching methods equivalent to this discipline are still undergoing experiments and explorations. In the developing pattern of art education in the world, the education of technology-centered painting is no longer the key issue in contemporary art teaching. Emphasis is placed on the discovery of wisdom and expression of ideas, as well as the exploration of means of expression and new forms of art that contemporary art education is taking Guide college major changes in art education. Of course, it is not uncommon to find out from our curriculum that it is not uncommon to train colors, train forms and structures, train materials and expressions, and train design thinking skills. The curriculum and teaching implementation of this course, really suspicious. From the perspective of the whole process of art teaching, students have just gotten out of first-year basic learning and into professional courses. However, they do not feel much about the training of integrated materials and the implementation of themed writing. Courses taught