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贺文龙,幼承庭训,修习中国书画,勤勉不辍。2004年获古典文学硕士学位,同年师从著名书法家、书画理论家陈振濂先生研习中国书画篆刻,2007年获得书法学博士学位。长期以来,重视中国书画艺术的文化品格,主张在有所专攻的基础上诗书画印兼修,艺道并进;对书法的“技艺化”、“展览体”和当前书法教育存在的问题有较为深入的反思。书法诸体皆习,于篆、隶、真、行、草诸体皆有深悟,尤其擅长隶书和行草书。篆刻根柢秦汉,远溯先秦,转益明清诸名家。曾多次受邀参加国内学术研讨会,并有多篇论文发表于《美术研究》、《美术观察》等核心期刊。现执教于西安美术学院书法中心。
He Wenlong, Chu Cheng court training, practice Chinese calligraphy and painting, diligently quit. In 2004, he received a master’s degree in classical literature. In the same year, he studied Chinese calligraphy and seal cutting from the famous calligrapher and calligrapher Mr. Chen Zhenhuan. In 2007, he obtained a doctorate degree in calligraphy. For a long time, he has attached importance to the cultural character of Chinese calligraphy and painting art and advocated that based on his specialization, poetry and calligraphy should be printed and edited with the artistic approach; the existence of calligraphy “artistry ”, “exhibition body There is a more in-depth reflection on the issue. All the calligraphy are learning, in the seal, Li, Zhen, Xing, grass all have insight, especially good at official script and cursive. Seal root 柢 Qin and Han, far from the pre-Qin, benefit the Ming and Qing dynasties. Has repeatedly been invited to participate in domestic academic seminars, and many papers published in the ”art research“, ”art observation" and other core journals. Now teaching at the Xi’an Academy of Fine Arts Calligraphy Center.