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中西方音乐形式的结合,在当下跨界艺术的发展或综合音乐可能性形式来说是一种顺应潮流的必由之路,音乐艺术应该是人类感情主观力量的先行者,率先打破固有陈旧的墙,并不是不伦不类之辈,简单来说是音乐艺术寻求“世界语”的过程,但这种中西方音乐形式结合既不同于民族乐派和萨义德的镜像东方主义的后殖民主义话语下的音乐形式,而是一种类似于“杂食动物”的多方摄取音乐形式素养的一种选择方式。
The combination of Chinese and Western forms of music is the only way to conform to the trend of the moment as the development of cross-border art or the possibility of synthesizing music. Music art should be the forerunner of the subjective strength of human emotions. It is not the first to break the inherently old wall The nondescript generation is simply a process of seeking “Esperanto” by the art of music, but this form of Chinese and Western music combines the forms of music under the post-colonial discourse of the mirror image Orientalism of Sayed and the national music school , But a multi-party approach to music literacy similar to “omnivorous ”.