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《野草》作为映射上世纪二十年代中期鲁迅内心矛盾和斗争的最深层次性作品,以一种象征性的世界完整地熔炼了鲁迅此时期的人格心理状态。以一种独特的生命体验为贯穿线索,《彷徨》中的《在酒楼上》可以视作《野草》的先声,我们读出了一个视启蒙事业为生命全部意义的斗士在经历了外视到自省,由拷问他人到内在质问的心路历程。
As the deepest level work mapping the contradictions and struggles of Lu Xun in the mid-1920s, Wild Grass smelts the state of Lu Xun’s personality at this period in a symbolic world. With a unique experience of life as a clue, “in the restaurant” in “Imitation” can be regarded as the forerunner of “weeds”, we read out a fighter who see the cause of enlightenment as the full meaning of life experience extrinsic To introspection, from torture others to the inner questioning of the mentality.