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青花瓷在明代普及。青花瓷以极快的速度将传统瓷器排挤出主流市场,而在青花瓷中青花瓷碗的数量始终居于首位,并且形成了“宫窑”与“民窑”这两种不同风格的青花碗体系明代瓷碗是我国古瓷器发展的一个转折点,如果说元代是延续宋代,那么明代这种惯性的力量显然已经殆尽,一切似乎都是一个新的开端。主要表现在传统窑口的急剧消失,如定窑、磁州窑(图1)、耀州窑等,虽然还有生产,但已不像宋元时期那样具有明显的窑系印记。另外民窑化的趋势也在加剧,许多传统窑口的瓷器变得极其粗糙。青花瓷在明代普及。青花瓷以极快的速度将传统瓷器排挤出主流市场,而在青花瓷中青花瓷碗的数量始终居于首位,并且形成了“宫窑”与“民窑”这两种不同风格的青花碗
Blue and white porcelain popular in the Ming Dynasty. Blue and white porcelain to a very fast rate of traditional porcelain out of the mainstream market, and the number of blue and white porcelain in the blue and white porcelain bowl has always been in the first place, and the formation of the “palace kiln” and “civil kiln” two different styles of blue and white bowl System Ming porcelain bowl is a turning point in the development of China’s ancient porcelain, if the Yuan Dynasty is the continuation of the Song Dynasty, then the Ming Dynasty this power has obviously been depleted of inertia, everything seems to be a new beginning. Mainly manifested in the rapid disappearance of the traditional kiln mouth, such as Ding Kiln, Cizhou kiln (Figure 1), Yaozhou kiln, although there are still production, but not as obvious as the Song and Yuan Dynasties that has a kiln line mark. In addition, the trend of people kiln is also aggravating, many traditional kiln porcelain becomes extremely rough. Blue and white porcelain popular in the Ming Dynasty. Blue and white porcelain to a very fast rate of traditional porcelain out of the mainstream market, and the number of blue and white porcelain in the blue and white porcelain bowl has always been in the first place, and the formation of the “palace kiln” and “civil kiln” two different styles of blue and white bowl