儒、道、禅三家学说潜移默化地影响着中国的艺术美学观念并作为主干构建了中国艺术的终极价值观。自然与社会、内在和超越、内心和外物由个体而联合,使中国艺术的美学倾向以“天人合一”明显异于西方艺术的“人神合一”。在当代油画创作呈现出紊乱发展轨迹的今天,在广泛呼吁“古为今用”“西学东渐”的当下,中西方两种截然不同的文化给油画创作以跳脱的灵感与更为广阔的思考空间。本文具体剖析了世界上两大主要群体——东方和西方的民族审美意识的发展之源,探究了油画创作中东方审美意趣的精彩演绎和追求,希望能够赋予油画创作新的所思所悟所行所感,使读者对中国油画艺术的审美意趣能够获得更深层次的领悟。 Confucianism, Taoism and Buddhism have subtly influenced China’s artistic aesthetics and as the backbone constructed the ultimate values ​​of Chinese art. Natural and social, internal and transcendental, the inner and outer objects are united by the individual, so that the aesthetic tendencies of Chinese art are obviously different from those of Western art. Today’s contemporary oil painting shows a chaotic development trajectory. Today, with the widespread call for “ancient as the present” and “eastward spread of western learning,” two very different cultures in China and the West have inspired the painting creation to a broader extent Thinking space. This paper analyzes in detail the source of the development of the national aesthetic awareness of the two major groups in the world, the East and the West, explores the wonderful interpretation and pursuit of oriental aesthetic interest in oil painting, hoping to give new insights into the creation of oil painting Feelings of the line, so that readers of the aesthetic interest of Chinese oil painting can get a deeper understanding.