中国美术史上的文人画主要指宋、元、明、清时代以文人士大夫为主体的业余或半业余绘画,诗、书、画的合一是其关键。在文人画史上,金农是一个重要人物。关于这一点,已有不少的研究者注意到了,本文略微调整一下研究角度,直接围绕“诗、书、画”关系的变动来讨论金农与文人画定型的关系。上海博物馆藏金农《山水人物册》,其六题跋云:“回汀曲渚暖生烟,风柳风蒲绿涨天,我是钓师人识否,白鸥前导在春船。此予在二十年前泛萧家湖之作,今追想昔游风景漫画小幅并录前诗,曲江外史记。”这是乾隆二十四年 The literati painting in Chinese art history mainly refers to the key to the unity of amateur or semi-amateur paintings, poems, books and paintings based on literati and literati in the Song, Yuan, Ming and Qing Dynasties. In the history of literati painting, Jinnong is an important figure. In this regard, many researchers have noticed that this article slightly adjusts the research angle and discusses the relationship between Jinnong and the literati painting directly around the changes of the relationship between “poetry, calligraphy and painting”. Shanghai Museum collection of gold farmers “landscape figures”, the six posts Postscript cloud: “Back Tingquzhu warm smoke, the wind Liu wind Po green days, I am a fisherman know whether the white gull leader in the spring boat. To the Pan Xiaohu Lake twenty years ago, the pursuit of the past landscape comics and recorded before the poem, Qu Jiang Wai history. ”This is Qianlong twenty-four years