本文对吕克·贝松的《亚瑟和迷你国》文本的画面语言、叙事特点、人物塑造、视听特效进行了事实描述与价值评判,指出了其商业性背后的后现代主义的“模仿”与“拼贴”手法在影片中的过度使用的重要特征。 This article makes a factual description and value judgment on the pictorial language, narrative features, characterization and audio-visual effects of the texts of Arthur’s and Mini-countries written by Luc Besson and points out the postmodernism behind the commercialism “With ” Collage "The important feature of the overuse of the technique in the movie.