我提出的三个特点,最后一个是和谐。你是否重视声音的和谐,这就要看你的听觉是否敏感了。许多读者以及一些很不错的作家都缺少这种敏感。我们知道,诗人一般总喜欢押头韵,觉得重复一个声音会产生美的效果。我认为在散文里就不是这样。依我看,在散文里,头韵只能在一定的场合使用。如果随便用,听起来是很不顺耳的。但是随便押头韵的现象太普遍了,使人觉得大概并不 The three features I put forward, the last one is harmony. Whether you value the harmony of your voice depends on whether your hearing is sensitive or not. Many readers and some pretty good writers lack this sensitivity. We know that poets generally like to accuse of rhyme, feeling that repeating a voice will produce beautiful results. I do not think so in prose. In my opinion, in the prose, the head rhyme can only be used in certain occasions. If you use it, it sounds very unpleasant. However, the phenomenon of casually rhyme is too common, people think that probably not