诗画关系学说是北宋诗学的重要内容之一。欧阳修通过题画诗表达了对诗画关系的见解。西方的诗画关系学说表现为诗画同质说和诗画异质说两种理论 ,通过与《庄子》比较可以见出其微妙与不足。苏轼诗画兼通 ,上承庄子而将其学说作了宋代诠释。邵雍在诗歌创作中描绘了生命力的画卷 ,并以理论的形式就北宋的诗画关系学说提出了纲领性的见解 The relationship between poetry and painting theory is one of the important contents of Northern Song poetry. Ouyang Xiu expresses his opinion on the relationship between poetry and painting through the title poetry. The western theory of poetry and painting is manifested in two theories, namely, the theory of the same quality of poetry and painting and the heterogeneity of poetry and painting. The subtleties and shortcomings can be seen through the comparison with that of the “Zhuangzi”. Su Shi’s poetic and versatile, on the Zhuangzi and his theory made the Song interpretation. Shao Yong depicted the picture of vitality in his poetry creation and put forward the programmatic ideas on the theory of the relationship between poetry and painting in the Northern Song Dynasty in the form of theory