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作为以往诗歌史发展到现代的一种逻辑结果,今天的许比以往任何时候都更强调它是心灵的艺术和语言的艺术的结晶。现代诗无疑更是一种深入主体的诗同时又是语言形式本身富有意味的诗。这便是现代诗的创造所面临的主要问题。显然,传统的现实主义诗歌理论对此显得无能为力,因为它更多关注的是语言所指涉的外在现实;浪漫主义诗歌理论也因无法接受一切有关形式的见解而与现代诗歌分道扬镳。已有的诗歌理论在新的诗歌时代面前无一不显出难以掩饰的困窘。怎样才能更为合理地解释现代诗歌并为它的发展指出一条正道?我
As a logical result of the development of the history of poetry to the present, Xu today emphasizes more than ever that it is the crystallization of the art of the soul and the art of language. Modern poetry is undoubtedly a kind of poem which is deeply subjective and at the same time it is a meaningful poem of language form itself. This is the main issue facing the creation of modern poetry. Obviously, the traditional theory of realist poetry is incapable of doing so because it focuses more on the external reality to which the language refers and the theory of romantic poetry separates from the modern poetry because it can not accept all relevant forms of opinion. The existing theory of poetry in the new era of poetry all show embarrassing embarrassment. How can we explain modern poetry more reasonably and point out a correct path for its development?