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在20世纪20年代中国社会的这一特殊转型时期,中国的社会思想文化的主潮是——以“人”的觉醒和对“人”关注的——“启蒙”。一批作家选择了“流浪”这一特殊的行为题材,以不同的方式展开了对人的尊严和价值的发掘。以郁达夫和郭沫若为代表的留学生作家主要通过流浪异国学子对于尊严以及生理层面渴求的示范性效应达到对国民内在潜力的一种激发性的启蒙;而以鲁迅为代表的乡土作家主要通过对于制造流浪者悲剧的封建专制和愚弱国民性的批判性效应达到对于束缚民众自我认知因素的解救性启蒙。整体上说,20世纪20年代中国小说的流浪叙事是在“异域外国”和“本国他乡”两个场域下,对于流浪者作为“人”的价值的实现,完成了异曲同工的“启蒙”性书写。
During this special transitional period of Chinese society in the 1920s, the main trend of China’s social ideology and culture was - “enlightenment” with the awakening of “people” and the concern of “people”. A number of writers have chosen the special theme of “wandering” to explore human dignity and value in different ways. Foreign student writers represented by Yu Dafu and Guo Mo-ruo achieved an inspiring enlightenment on the intrinsic potential of the nation, mainly through the exemplary effect of wandering exotic students on dignity and physical thirst. The native writers represented by Lu Xun, Tragedy of the feudal autocratic and frivolous national character of the critical effect to rescue the self-awareness of the factors that rescue the enlightenment. On the whole, the vagrant narration in Chinese novels of the 1920s fulfilled the value of Rangers as “people ” under the two fields of “exotic foreign ” and “native country ” The same “enlightenment ” sexual writing.