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汉泰和维勒特莱是两位法国在二战结束之后两种不同,但不完全对立的绘画实践。比起单纯的代际相似性,笔者通过对两位画家当时所面临的社会、文化、艺术环境进行分析,从另一个角度来理解两位画家的绘画艺术,探寻他们艺术风格背后深层的想通之处,进一步剖析二战后的绘画艺术。
Hankook and Villetry are the two different, but not completely opposite, practices of painting after the end of World War II. Compared with purely intergenerational similarity, the author analyzes the social, cultural and artistic environments that the two painters were facing at that time, and understands the two artists’ painting art from another angle, exploring the deep thoughts behind their artistic style Place, further analysis of the art of painting after World War II.