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和许多平面杂志、书籍的封面包装一样,唱片封套的设计当中一旦出现女性的身影,必定更能刺激读者、听众的视觉神经,刺激效果显著的,就更能进一步带动了消费者的购买欲。这种包装销售手段从最本质上来说不过存在于表象,并不一定能真正和其中的内涵成正比。但是纵观摇滚乐唱片封套设计史,从五十年代摇滚乐的荫发到现如今在欧美国家的如火如茶,唱片封套对乐迷、对消费者感官的刺激是不容小觑的。而在这其中,被唱片封面设计师带人唱片封套的各式各样Covergirl更是占据了唱片设计创意中的多数。
Like many print magazines and book covers, once a female figure appears in the design of a record label, readers and listeners’ visual nerves will be more stimulated to stimulate their purchasing power. This package of sales means, in essence, but exists in the appearance, and may not really be directly proportional to the content. But looking at the design history of rock music covers, from the fickle hair of the 1950s to the present-day fire in Europe and the United States, the record label is a great inspiration for the fans and the senses of the consumers. In this one, a variety of covergirls who were brought to the record label by the album cover designer took the majority of the record design ideas.