完美的交响乐,如同细细编织的锦缎,离不开互动与配合,倾听与挥洒。学生写作与名师点评的穿插是创造和鉴赏的结合,最和谐的交响乐由此缓缓流淌而出。关于形与神,古人作了不少的探讨。桓谭认为“精神居形体,犹火之然烛矣”;范缜在《神灭论》中提出了“形者神之质,神者形之用”的说法。宋明以后诸儒注重内外兼修,形成了内本外末, Perfect symphony, like a fine braided damask, can not do without interaction and coordination, listening and swaying. The combination of student writing and teacher commentary is a combination of creation and appreciation, whereby the most harmonious symphony is slowly flowing. On the form and God, the ancients made a lot of discussion. Huan Tan believes that “the spirit of homeostasis, the still burning candle still carry on”; Fan Zhen in the “Theory of Extinction” put forward the “shape of the God of God, the use of God-shaped” argument. After the Song and Ming Dynasties, Confucianism focus on internal and external, formed within the end of this,